It is December 31st, and 2017 is quickly drawing to a close. As you prepare to celebrate with family and friends, take a minute to read about and listen to the RC staff's favorite 2017 releases. Here is the accompanying Spotify playlist.
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It is December 31st, and 2017 is quickly drawing to a close. As you prepare to celebrate with family and friends, take a minute to read about and listen to the RC staff's favorite 2017 releases. Here is the accompanying Spotify playlist.
Read MoreNew York City based Coleman Hughes, under the alias COLDMAN, opens his second full length album, My Dick Works Fine!, with “Intro”, which begins with Coleman reflecting on a conversation with an old teacher . . .
Read MoreThe Birds Outside Sang is about the desire to hold onto golden light and birdsong in a physical world of blood and bones.
Illustration by Casey McSherry
Read MoreMold Boy is Alex Calder, the Mac Demarco-affiliate seen in Columbia University's basements, and shirtless on the winter streets of Montreal.
Read MoreRather than submerge itself in the inevitable, eclipsing darkness of ultra modernism, Deep Thoughts plumbs the idea of moving forward with a deliberate cognizance, unsure whether temporal passing and technological progress merit exaltation or despair.
Illustration by Willa McDonald
Read MoreFloaters is a collage of bright synths and ambience that doesn’t decide on a destination point.
Illustration by Mel Wherry
Read MoreGeorge Clanton has long made music that managed to distinguish itself inside vaporwave without abandoning the inherent constraints of the genre; on 100% Electronica, the newest record from the Brooklyn-based artist, Clanton emerges with his strongest work yet.
Read MoreLe Havre's vidéo EP is more than a sonic tapestry, the product of some interwoven linearities à la Steve Reich" — it is "multi-dimensional, the result of the simultaneous dynamism of musical intricacies."
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Listen to the debut LP of the Phoenix-based group
Read MoreShari Heck. Illustration by Maya Marie Lin-Bronner
Heck’s lyrics have the fuzzy intimacy of diary entries, her hushed vocals the inflection of secrets whispered at a sleepover.
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Ash Koosha's GUUD is "an album whose diverse and dynamic set of sounds can be felt, followed, and replayed, but never transcribed."
Read MoreCritique or metacommentary? Graham Johnson breaks down Bodega Bay's thorny debut effort.
Read MoreA strong first release that mixes a composer's skill with a beatmaker's passion.
Read More"The album, which was presumed dead after frontman Jason Albertini’s computer 'exploded after sitting in a hot van for too long,' would have been a shame to lose. "
Read MoreHow To Leave Town is full of Will Toledo's signature brand of meandering psychological analysis and self-aware introspection, and is easily one of his strongest releases yet.
Read MoreDespite moments of catharsis, Eternal Summers' fourth album doesn't take many risks.
Read MoreOblique Contours is a "sheer articulation of postmodern anxiety," in which angular guitar lines serve as a protective expression of "despair and unease."
Read MoreRather than have an explicit lead, rhythm, or harmony, most of the tracks on Vox have foreground, background, color, and texture.
Read MoreRuins is a clear demonstration that sound art is not merely intellectual self-gratification posing as contemporary art but a form capable of immense expression.
Read MoreChrissybaby Forever is a record with an incredibly ambitious mission statement: to succeed within a counter-cultural indie art scene by challenging all of its assumptions about art.
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